Showing Records: 1 - 16 of 16
15, 1976 - 1980
The typed letters in several books have been expanded by several passes through a photocopier. -- Source of annotation: Marvin or Ruth Sackner.
A Living Man / Hanson, Sten., 1973
This is also designated volume 2 of 4, selected works 1961-1975. The statements, "I like breathing... I like loving...I like sleeping in the grass... I like eating... I like running in the woods... I like dreaming... I like screaming" are laid out in concrete poetic form as well as modified on the pages of this book. -- Source of annotation: Marvin or Ruth Sackner.
Buster Keaton Enters into Paradise / Higgins, Dick ; Knowles A ; McHugh B., 1994
Diagramatic texts are based on scrabble board games starting with the name Buster Keaton. Eleven performances derive from the list of words on each board and film clips of Keaton. Nine layouts of the Scrabble game are depicted that have a concrete poetic appearance owing to different choices of type face and weight. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Silent Page. No.79/Feb / jw curry., 1981
Also designated th wrecking ballzark #23. -- Source of annotation: Marvin or Ruth Sackner.
Homage to Mallarme / Mayer, Peter., 1987
Thus poem is subtitled, "Dictionary poem in SN." On the left side of the card, Mayer presents an English translation from a text by Mallarme, "Les Mots Anglais (1877) that deals with creation of words. For example, Mallarme states that 'sneer' and 'snake' lead a reader of English to regard the diagraph 'SN' as being sinister. He then uses 'SN' to create a layout of words with such a beginning through incorporation of the vowels, e.g., snag, snail, sneak, sneeze, snide, sniper, snob, snot, snub, snuff. -- Source of annotation: Marvin or Ruth Sackner.
Hot Bird Mfg: Horror Vacui. No.18/Apr / Doug Lang ; Khlebnikov V., 1991
Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.
No.11 / Art Metropole ; Weiner L ; Andre C ; Broodthaers M ; Carrion U ; Higgins D ; Holzer J ; Kruger B ; Roth D ; Ben ; Barry R ; Burroughs WS ; Curnoe G ; McFadden D ; Fulton H ; Nordman M ; Paik NJ ; Vostell W ; Tremlett D ; Fox T ; Gysin B ; Snow M ; Acconci V ; Agnetti V ; Armleder J ; Atkinson C ; Barry R ; Beuys J ; Boetti A ; Boehmler C ; Bohmler C ; Boyle M ; Brouwn S ; Byars JL ; Cage J ; Corner P ; Curso G ; Costley R ; Finlay IH ; Curnoe G ; Darboven H ; Debord G ; Denes A ; Diacono M ; Duchamp M ; Filliou R ; Fulton H ; Garnet E ; Gerz J ; Graham D ; Haacke H ; Grisi L ; Hausmann R ; Hiller S ; Huelsenbeck R ; Johnson R ; Kawara O ; Knowles A ; Knowles C ; Kosuth J ; Latham J ; Levine L ; LeWitt S ; Long R ; Maciunas G ; MacLennan T ; Martin H ; Brecht G ; McLean B ; Merz M ; Michaux H ; Mields R ; Nannucci M ; Nations O ; Ontani L ; Opalka R ; Oldenburg C ; Paik NJ ; Parmiggiani C ; Pezold F ; Piper A ; Rosler M ; Roth D ; Ruppersberg A ; Ruscha E ; Samaras L ; Siegelaub S ; Snow M ; Sondheim A ; Staeck K ; Stokes T ; Douglas H ; Vazan B ; Wiens R ; Willats S ; Wilson I ; Williams E ; Young L., 1985
The covers and pages of this catalogue were designed by Lawrence Weiner. -- Source of annotation: Marvin or Ruth Sackner.
[one hundred} 100 Poems / Depew, Wally., 1974
Also designed as "special issue." Consists of the word, Poem, printed two to three times on a page in large capital letters. A few pages have variations on this theme. -- Source of annotation: Marvin or Ruth Sackner.
Texto Poetico. No.5., 1979
Grupo Texto Poetico is led by Bartolome Ferrando. -- Source of annotation: Marvin or Ruth Sackner.
was/man/macht / Olbrich, Jurgen O.., 1991
The poems deal with actions that can be carried out over a concrete sidewalk. -- Source of annotation: Marvin or Ruth Sackner.
White Table Cloth / Hompson, Davi Det., 1969
The collage with three folded white handkerchiefs labeled "oral, topical, and spinal" refers to types of anesthesia and its relation to the poems in the rest of this work is not immediately apparent. The drawings consist of minimalist poetry with themes relating to food and common domestic events along with illustrations of fragments of a room. The prints depict concrete poems mainly with food related content. The seven silkscreen prints were published in an edition of 50. -- Source of annotation: Marvin or Ruth Sackner.